The Fluidity of Nothingness

Triptych exploring nothingness as the structure of identity rather than its loss. The trilogy is grounded in the Japanese aesthetic of mu (無) — emptiness as a positive formal element that reveals the very process of perception. In The Fluidity of Nothingness, nothingness is not an ending but a space where the “I” blurs, melts, and reassembles into another shape — no longer a fixed point, but a process.

Phantom Skin

 Mu as Movement 

The Empty Passage